Persephone Productions
  • Home
  • The Company
    • Mission
    • Meet The Director
    • History
    • Awards
    • Notable Alumni
    • In The Press
    • Feedback
  • Past Productions
    • Blue Stockings >
      • Meet the Artists
      • Production Gallery
      • In the Press
      • Audience Feedback
    • Counting Aloud
    • Abigail/1702
    • Jerome of Sandy Cove
    • Compleat Female Stage Beauty
    • Moby Dick >
      • MD - Press Release /Communique de presse
      • Moby Dick - Production Notes
    • 2015 GALA
    • Dr. Jekyll and Mr. Hyde >
      • Dr. Jekyll and Mr. Hyde Press
    • The Nisei & The Narnauks >
      • The Nisei & The Narnauks Press
    • Spring Awakening: The Musical >
      • Spring Awakening: The Musical 2014
    • Strawberries in January
    • The Walnut Tree >
      • Press Release - The Walnut Tree
    • Spring Awakening: The Musical
    • Lost: A Memoir >
      • Lost: A Memoir Press >
        • The Westmount Independent Review for Lost: A Memoir
        • The Gazette Preview for Lost: A Memoir
    • Oroonoko >
      • Oroonoko Press >
        • The Gazette Review for Oroonoko
        • The Charlebois Post Review for Oroonoko
        • The Montrealer Interview with Paul Van Dyck for Oroonoko
    • Hamlet >
      • Hamlet Press >
        • First Person Charlebois Post by Christopher for Hamlet
        • CBC Interview with Gabrielle Soskin
        • The McGill Tribune Review for Hamlet
        • The Métropolitain Review for Hamlet
        • The Senior Times Review for Hamlet
    • To Be >
      • To Be Press >
        • Mirror Review for To Be
        • Charlebois Post First Person for To Be
    • Far from the Madding Crowd >
      • Far from the Madding Crowd Press >
        • Gazette Review for FFTMC
        • Mirror Review for FFTMC
        • Gazette Preview on Christopher Moore for FFTMC
        • Charlebois Post for FFTMC
    • Mary's Wedding >
      • Mary's Wedding Press >
        • Charlebois Post Interview with Gabrielle Soskin for Mary's Wedding
        • Canadian Jewish News Preview for Mary's Wedding
        • The Mirror Preview for Mary's Wedding
        • Charlebois Post Preview for Mary's Wedding
    • Henry V >
      • Henry V Press >
        • The Suburban Preview for Henry V
        • The Gazette Review for Henry V
        • Rover Arts Report for Henry V
        • Midnight Poutine Review for Henry V
        • Coolopolis Review for Henry V
        • Rover Arts Review for Henry V
    • Ten year Anniversary Gala
    • Be My Baby >
      • Be My Baby Press >
        • Gazette Preview for Be My Baby
        • Gazette Review for Be My Baby
        • The West End Times Preview for Be My Baby
        • The Suburban Review for Be My Baby
    • Cherry Docs >
      • Cherry Docs Press >
        • The Gazette (Cherry Docs)
        • The Suburban (Cherry Docs)
        • Rover Arts (Cherry Docs)
        • Dee Arr (Cherry Docs)
        • The Canadian Jewish News (Cherry Docs)
        • HOUR (Cherry Docs)
        • The Mirror (Cherry Docs)
        • Stanstead Journal (Cherry Docs)
    • Othello >
      • Othello Press >
        • The Gazette (Othello)
        • The Concordian (Othello)
        • The Link (Othello)
        • MicGill Tribune (Othello)
        • The Westmount Independent (Othello)
        • The NDG Monitor (Othello)
    • The Love of Shakespeare's Women (2)
    • Unity 1918 >
      • Unity 1918 Press >
        • The Gazette (Unity 1918)
        • The Mirror (Unity 1918)
        • Invisible Cities Network (Unity 1918)
        • McGill Tribune (Unity 1918)
        • HOUR (Unity 1918)
    • The Love of Shakespeare's Women (1) >
      • The Love of Shakespeare's Women Press >
        • The Westmount Independent (The Loves of Shakespeare's Women)
        • The Gazette (The Loves of Shakespeare's Women)
    • To the Green Fields Beyond >
      • To The Green Fields Beyond Press >
        • The Gazette (To The Green Fields Beyond)
        • The Mirror (To The Green Fields Beyond)
    • Prodigy >
      • Prodigy Press >
        • The Gazette (Prodigy)
        • La Press (Prodigy)
        • Le Délit (Prodigy)
        • Invisible Cities Network (Prodigy)
        • McGill Tribune (Prodigy)
        • The Surban (Prodigy)
        • The Mirror (Prodigy)
        • McGill Daily (Prodigy)
    • Spring Awakening >
      • Spring Awakening Press >
        • The Gazette (Spring Awakening)
        • Prince Chameleon Press (Spring Awakening)
        • Délit (Spring Awakening)
        • Mon Theatre (Spring Awakening)
    • A Room of One's Own >
      • A Room of One's Own Press >
        • CBC Radio One (A Room of One's Own)
        • The Gazette (A Room of One's Own)
        • The Westmount Examiner (A Room of One's Own)
        • The Canadian Jewish News (A Room of One's Own)
    • SubUrbia >
      • SubUrbia Press >
        • CBC Radio One(SubUrbia)
        • The Gazette (SubUrbia)
        • Montreal Mirror (SubUrbia)
        • HOUR (SubUrbia)
        • The Suburban (SubUrbia)
        • Westmount Times (SubUrbia)
        • The Canadian Jewish News (SubUrbia)
    • Jane Eyre >
      • Jane Eyre Press >
        • The Canadian Jewish News (Jane Eyre)
        • Orcasound (Jane Eyre)
    • West
    • Kindertransport >
      • Kindertransport Press >
        • The Gazette (Kindertransport)
        • Montreal Mirror (Kindertransport)
        • The Suburban (Kindertransport)
        • The Chronicle (Kindertransport)
    • Playhouse Creatures >
      • In The Press - Playhouse Creatures
    • Anna Karenina >
      • In The Press - Anna Karenina
  • Blog
  • Newsletter
  • Support
  • Contact
  • FR
Picture
Puppets make light of Canada’s dirty little secrets


Posted by: Laurent Pitre in Arts



Paul van Dyck’s latest offering tackles the reality of Japanese internment camps


The Nisei & The Narnauks is an outlandish play set in a historical Canadian context. In the guise of an Alice in Wonderland-like coming-of-age adventure story, this play examines the distressing treatment of Japanese Canadians during World War II and juxtaposes it with the overall treatment of First Nations people.

Rising playwright and director Paul Van Dyck states that the idea for the play came during his exploration of Canada’s “real” history.

“In school I was taught that Canada was a ‘melting pot,’ a happy multicultural utopia. I was lied to. When I later learned about the internment of Japanese Canadians, the treatment of First Nations, and the ever present racism in my own community, I was perplexed and angered. I wondered how this could happen in my own country. But mostly I was afraid at how easily these events could be swept under the rug, for when our mistakes are forgotten, that’s when they’re repeated,” he said.

However, this play is a guaranteed pleasure for all ages and all walks of life. Life-like puppets (sometimes giant-sized), live music, lively actors and a magical storytelling experience will captivate you, move you and transport you to a fantastical land where a young girl makes sense of her world.

The Nisei & The Narnauks uses captivating visuals to illustrate difficult themes.

“I believe this will be an important play. I think it will educate a lot of people, and it will do so in a delightfully subversive way. It will take them on a journey of magic, and beauty, and adventure. And at the end of it all hopefully they won’t want to put their heads back in the sand. They may even want to know more and demand more of the country we live in,” he continued.

And at the very least, Van Dyck says that if you’re not learning anything, you will still be very entertained!

Persephone, once again, has given opportunities to emerging artists. The play features four young, energetic and vibrant actors playing multiple parts through mask and puppets, while also providing all the live sound effects and music. Dawson College alumna Stefanie Nakamura plays young Kimiko. From John Abbott, Michael Briganti takes on the role of Kimiko’s side kick, Raven. Concordia University gives us the final two actors in Jimmy Blais and Brefny Caribou.

Blais tackles the physicality, the voice and the focused performance of a     myriad of characters, ranging from princes to wolves. He said that the experience is an “opportunity to tie down to his native roots,” and that the puppets form a bridge that allow the audience to enter the story, while the engaging use of live music helps to tell “a multi-layered show,” allowing this mythical story to be “carried along.”

On the production side, Peter Vatsis provides designs for both set and lighting, while Melanie Michaud takes on costume design. Persephone welcomes the chance to work with puppet and mask maker Zach Fraser. Assisting Van Dyck with direction is Sara Rodriguez, all under the helm of stage manager, Isabel Quintero Faia.




Persephone Productions Inc
93, Somerville Ave.,
Westmount, Que, H3Z 1J4

CONTACT
ABOUT